Born in Oakland, California in 1946, to Daniel J. Levinson and Maria Hertz Levinson, Mark Levinson grew up in the Boston area and later moved to New Haven, CT. His father was a professor of psychology at Harvard for 16 years and Yale University for 24 years. Daniel J. Levinson became a pioneer in the field of adult developmental psychology and was the author of the classic book "Seasons of a Man's Life."
Music (particularly jazz) quickly became the focus in Mark's life. Before the age of 20 he was sitting in, on double bass and trumpet, with the likes of John Coltrane, Sonny Rollins, Sonny Stitt, Johnny Griffin, Chick Corea and
Keith Jarrett. Foregoing a college education for music, as a young man he developed himself as a musician, touring Europe as a bassist with pianist Paul Bley.
Already a legend at an early age—he was only 21 when he famously built the stage mixer used at the Woodstock Music Festival in 1968—Mark set out to create no-compromise audio playback equipment that would come as close as possible to recreating the energy of live performances.
A New Era
Founded in 1972, Mark Levinson Audio Systems (MLAS) was the unquestioned leader among many high-performance audio companies that started in that decade. Instead of designing to a price point, MLAS designed to exceed all previous known playback limitations. The company also employed the best available engravers and machinists.
Among the most ambitious audio products ever built, MLAS gear boasted technical specifications rarely equaled in the ensuing three decades. The LNP-2 preamp, for example, had a 140dB dynamic range, 110dB channel separation up to 20 kHz, and channel-to-channel tracking within 0.1dB. MLAS products were the first to use non-degradable metals such as rhodium, platinum, and gold, and the first to use Teflon as an insulating material.
The name “Mark Levinson” soon entered the common lexicon, synonymous with “ultra quality,” to such an extent that someone completely unfamiliar with audio might say something like “That’s a Mark Levinson motorcycle,” or “I love your Mark Levinson jacket,” meaning the referenced objects were not only of the highest possible quality, but were also exceedingly beautiful.
With Cello, the company he formed in 1984, Levinson created radically new audio concepts at stratospheric prices. With gifted engineers Tom Colangelo and Richard S. Burwen, Levinson introduced groundbreaking products such as the Cello Audio Palette, the world’s first audiophile-quality, sonically transparent equalizer.
The Cello Grand Master Reference system included all components—electronics, speakers, and custom-made cables with Swiss-made connectors. Previously, companies built electronics, or speakers, or cables, or source units, but not all. Cello was first with a total system approach. The Grand Master system was the first in the industry capable of generating realistic concert-level sound pressure, while simultaneously conveying the emotional nuances of a live performance.
Among the many music industry companies that purchased Mark Levinson-designed equipment were Atlantic Studios, DMP, MasterDisc, PolyGram, RCA, Sonomaster, Sony Music Studios, and Sterling Sound. Sony’s Mark Levinson-designed reference playback system was used for more than six years by world-class talent including Celine Dion, Harry Connick, Jr., Michael Jackson, Tony Bennett, and many others. At Sony, the mastering room with Levinson’s Grand Master speakers became known as “The Cello Room.”